Search: Starring Sean Bean

Day-Lewis Jr pays attention to his actors and frames them in ways that make monologues count but there’s a lot of unnecessary brooding about in between times.

Feels like a film of two halves.

Cleanskin is a smart and visceral thriller.

Unfortunately, it becomes clear that the filmmakers have bitten off more than they can chew.

Equilibrium is that rarest of cinematic entities, a film which succeeds both as intelligent science fiction and as action drama.

An absorbing, disturbing and exceptionally composed filmic fable.

Tellingly, despite all this extra material, the film does not feel slower and does not become boring. If anything, it’s better balanced, with a more fluid sense of momentum.

This is Foster's film from start to finish.

Where Goldeneye stands out is when it challenges the typical Bondian blueprint.

Bush and Knighton are underwhelming.

Fast, furious and Calvin Klein-ad slick.

Has its moments of genius.

The Martian’s real strength lies in its good-natured attitude.

National Treasure is just plain boring. There is no mystery, or sense of discovery.

What finally raises the film above its somewhat programmatic, fight-the-power formula is its willingness to provide a believable context for the abuse.

Love’s approach is consistently fresh and, until the end, when things fall apart a bit, surprisingly original. The writing here is taut, concise and as lean as a whippet.

This is an entertaining time passer which should keep the kids happy.

Cronenberg is most certainly David’s son, and while he’d probably prefers to avoid comparisons, his proclivity towards jarring imagery and shocking material instantly calls to mind his father's work.

Frankenheimer's direction is so flawless and masterful that every frame of every scene flows effortlessly.

Finally, a horror movie worth bragging about.

Everything hangs on Billy, but he's empty.

It's the incoherent plotting and pitiful support acting that really sink Revelation.

Ultimately, there is no depth to the drama and precious little soul.

What makes the episodic, almost piecemeal direction so effective is the way in which Jarman alternates between the individual and the universal impact of war.

The seamless, flowing quality of the animation is what will capture older viewers' attention first - and hold it.